DJ set for Tripalium and a few thoughts on DJing

1943 USS Abbot Periskop Tripalium acid techno ship dock wharf

Earlier this month a Periskop DJ set was made public through the Tripalium podcast. The set features dark ambient, deep techno and bleak acid techno tracks from 1993-2016. I have tried to make an interesting and hypnotic mix of old and new tracks, that share the same depressive/narcotic sound and heavy/ritual beats. The set also features a track from a still disclosed forthcoming Periskop EP.

Tripalium is a French organization located in Paris dealing with techno, noise and acid. Apart from the podcast, they operate several labels and organize monthly raves. With the maxim Echoes from Modern Slavery. Resonances from Industrial Warfare; I was unable to turn down the opportunity to provide a contribution to Tripalium.

Tracklist:

Desiderii Marginis – Deadbeat II (Cold Meat Industry 2001)
Aeoga – Temple Treye (Aural Hypnox 2014)
Herbst9 vs. Z’ev – Through Bleak Landscapes (Loki 2007)
Periskop – (2016)
Plastikman – Smak (Novamute 1993)
Drvg Cvltvre – James Franco’s House (Perc Trax 2014)
Orphx – Dead Zone (Hands 2011)
Pan Sonic – Lähetys (Blast First 2007)
Eric Holm – Åse (Subtext 2014)
Lussuria – Mondo Narcotico (Hospital 2012)
Shifted – Out Of Tune (Mote-Evolver 2012)
Oscar Mulero – Transversal (Modularz 2013)
Abdulla Rashim – Red Pool (Northern Electronics 2015)
Ntogn – Ba’al (Tome 2016)
Yuji Kondo – Something For Those Who Wait (Perc Trax 2014)
Emmanuel Top – Radio (Attack 1995)
Ancient Methods – Knights & Bishops (Ancient Methods 2013)
Speedy J – Patterns ’97 Remix (Novamute 1997)

A few thoughts on DJ’ing

DJ setup Danny Kreutzfeldt Periskop Skovgilde 2015

I still enjoy putting different pieces of music together to form a new whole that goes on for an extended length of time. That is why I have DJ’ed since the late 90’s and still once in a while make a public DJ performance.

However, since I rarely attend any electronic music event or “party”, I have very little to add to the ongoing discussions about DJ tools or DJ’ing as an art form over DJ’ing as a business model for EDM celebrities. I have no opinion on what other DJs do, and can only offer an explanation of why I do what I do as a DJ.

This Saturday I am playing a vinyl set at Copenhell 2016 and over the years I have DJ’ed at numerous underground concerts in my home town. This normally happens under another name than Periskop and with various doom/black metal and acoustic/ritual/industrial music LPs from my vinyl collection. I like the tactile nature of DJ’ing vinyl and benefit from having to select tracks during the set from a limited amount of records, that I know very well.

Occasionally I also DJ as Periskop, which is still a vinyl set, but naturally with emphasis on electronic music. However, the possibility to do DJ sets for podcasts has recently led me to see the benefits of doing arranged DJ sets in an audio editor as opposed to submitting more or less treated recordings of performed vinyl sets:

– Much bigger range of tracks/sounds to choose from.
– Three or more tracks/sounds at the same time.
– No need for a working studio with two turntables.
– No need to do the whole thing in one go and can be done just with headphones.
– Possibility with my limited skills to do longer and tighter beat mixes.
– Fine tune details to make complex and abstract intersections work seamlessly.

So just like the 2015 Periskop podcast for The Forgotten/Awareness, the DJ set for Tripalium mentioned above was made using the basic freeware audio editor Audacity.

Periskop Danny Kreutzfeldt DJ Skovgilde 2015

Last Summer I DJ’ed as Periskop at Skovgilde 2015. An annual genre-unspecific two-day event in a barn out in the woods somewhere near Mols Bjerge National Park on the Jutland peninsula. I played for five hours late night til morning on a rudimentary set up (also pictured above) and for a part of the set I mixed material exclusively from the Periskop vinyl releases. As far as a Periskop live act goes, this is it.

I have also previously writen a few words about my DJ appearance as Periskop at the 2012 harbour warehouse rave in Aalborg.

I recently dug out this home recorded DJ mix from 2003. I was rather active performing live and DJ’ing in that period and this mix documents the style I was playing. It features deep sound experimentation from around the millennial turn. Dark drones, deep pulses, tender glitch, soaring noise and an unsettling landing in a strange blues. It also features an early unreleased dark ambient production of mine, and if I had operated under the Periskop guise back then, this mix would have fitted in there nicely.

Periskop techno tracks in recent podcasts and DJ sets

Recently there has been an increased proliferation of techno tracks by Periskop in podcasts.

This is an overview featuring a live set and some of the DJ sets available as podcasts right now featuring Periskop techno tracks in the mix.

Scrolling down will show you mixes by these DJs: Dee3, Dimitri Pike, Formal Method, Ketill, NTOGN and Ronny Pries.

Pre-recorded live set


Selection Sorted TechnoPodcast 003 – Periskop live by Selection Sorted Technopodcast

Periskop was invited to do a +1 hour techno mix for the Hungarian techno organisation and podcast Selection Sorted. It was aired on framed.fm and has subsequently been available as a podcast. The mix was a prerecorded live set consisting of tracks from Periskop – 40. The tracks cover a range of styles from bleak ambient techno over deep minimal techno and dark distorted atmospherics to hard industrial techno.

Tracklist:

1. Polar 2. VI – 2. Polar 1. III – 3. Signal 1. VII – 4. 125 II – 5. 125 IV – 6. Signal 1. II – 7. Signal 4. III – 8. Aarhus IX – 9. Thrust 130 IV – 10. Thrust 130 II – 11. Blackout 1. IV – 12. Thrust 140 V – 13. Thrust 140 I – 14. Burst 2. VIII

Periskop has also previously done a pre-recorded live podcast for Radio Alternator: Guest Cast 16 / Periskop @ Radio-Alternator.com

DJ sets

dimitri pike tresor detroit techno militia berlin

Periskop techno tracks have recently been featured in numerous DJ podcasts and DJ sets. Here is a selection of mixes by these DJs: Dee3, Dimitri Pike, Formal Method, Ketill, NTOGN and Ronny Pries.

I would like to extend a thanks to all DJs featuring my work for the right reasons: To keep techno in progression and uphold the act of DJing as an art form.


Dark Frequency podcast 072 pres. Dee3
Dee3 made a dubby techno mix for Neil Birnie’s Dark Frequency podcast, featuring Dubworks 1. VII as well as an old Marko Fürstenberg remix of Dubworks 3. V available on Danny Kreutzfeldt – Recore (Thinner Records 2003).

Dee3 aka Don Voorhies has previously made a mix exclusively of tracks from 125 1 and 125 2, which has so far been streamed or downloaded +25.000 times on archive.org.


Wildtek Synaesthetics Mix
Dimitri Pike/Wildtek (pictured above) from Detroit Techno Militia featured 125 II in this eclectic mix for 313RGB/Synaesthetics also including stuff from Tresor, Warp, Basic Channel, Downwards, Ostgut etc.


Beton Radio Show #248 by Formal Method
Formal Method featured 125 XII in a tense and banging industrial techno mix airplayed on the internet radio Beton Show.


Audioexit Podcast 022 by Formal Method
Formal Method also featured Dubworks 1. II in a clean mellow dub techno set for an Audioexit Podcast.


I’ll Podcast . #01 . Ketill
Ketill ended the first ever I’ll podcast with Polar 1. VIII in a deep and rather heavy techno mix. It has been made available with some rather fitting dank bleak visuals.


UN #36 Ntogn by SMOKE MACHINE
NTOGN featured Polar 1. IV in this brooding & banging DJ mix for Smoke Machine in their UN podcast series.


Monument 23: Ntogn
NTOGN also featured Polar 1. I as opening track in this deep evocative techno DJ mix for a Monument podcast.


EDM for introverts by Ronny Pries
Ronny Pries aka rktic featured Thrust 130 IV in a hard banging 2hr mix of both old school techno and industrial techno.